THE BERBERS
Open market Naschmarkt, Vienna, Wiener Festwochen, 2010
With the participation of the Berber Family
This intervention at Vienna’s famous open-air market recounted a history of a Greek family and their market stall. For half a year the stall of the Berber family was covered with stories handwritten on blackboards. These, narrated by the family members themselves, depicted the family’s daily life against its changing social and political backgrounds over the period of 50 years. The work paid tribute to migrants’ contributions to the Viennese everyday culture. It attracted audiences of the Wiener Festwochen, and invited them to read, buy and and interact.
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The Berber Family has been running their stall at Vienna’s best known open-air market, the Naschmarkt, since 1969. These days they sell first-rate fruit and vegetables sourced from all over Europe and the world, while at one time they sold imported Greek and Turkish provisions, along with homemade specialties produced by the mother of the family. The Berbers’ roots go back to a Greek island off the coast of Turkey that was depopulated during the 20th century due to the Greek-Turkish war and the severe political problems that followed. The Berbers, like many other Greek families from the island, became political refugees during the crisis of the 1960s, which is how they ended up in Vienna. The Berber family occupies a special place in the history of the Naschmarkt and in the history of Viennese cuisine in general. In early 1970, the father of the family, together with two Austrian partners, friends of his, organized the first imports of olives, olive oil and feta cheese to Vienna. He is now retired, spending most of his time back on the island, while his sons are now running the stall.
The artistic intervention linked buyers and visitors to the market through stories and memories recounted by the family members: recollections about their stall, their family life, their past and future, and about the market itself. Through hand-written texts, photographs and single channel video, the stall was temporarily transformed into a tribute to the contribution of foreign workers (Gastarbeiter) to the Viennese table and Austrian society in general while vividly commemorating the family’s own particular history within the wider context of migration.
The intervention was produced as part of the Wiener Festwochen festival and was on view from June to October 2010.
RELATED
Wiener Festwochen Festwochen am Nashmarkt
CREDITS
The Berbers intervention was commissioned by the Wiener Festwochen, exhibition Im Paradiesgarten nto the City in 2010. Cuator: Birgit Lurz. Project team and installation: Kristina Leko, David Smithson. Handwritings: Iva Gregorić, Kristina Leko. Potos: Kristina Leko.
GENRE&FORMATS
Project: research; temporary intervention in public and semi-public space; oral history; participatory-documentary art project; project with specific social groups. Artwork/s and artifacts: interviews; texts, hand-written text panels; photographs, video.
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Wiener Festwochen Festwochen am Nashmarkt
CREDITS
The Berbers intervention was commissioned by the Wiener Festwochen, exhibition Im Paradiesgarten nto the City in 2010. Cuator: Birgit Lurz. Project team and installation: Kristina Leko, David Smithson. Handwritings: Iva Gregorić, Kristina Leko. Potos: Kristina Leko.
GENRE&FORMATS
Project: research; temporary intervention in public and semi-public space; oral history; participatory-documentary art project; project with specific social groups. Artwork/s and artifacts: interviews; texts, hand-written text panels; photographs, video.





PUBLIC SPACE
BRING SOME CHAIRS
2019
GRENZE/GRENS
2014-2023
MLADEZ VEDE BRNO
REVISITED 1949-2013
2013
NO MONUMENTS FOR
LABOR AND IMMIGRATION
2013
KATTENBURG TRIUMPHAL
ARCH
2010
THE BERBERS
2010
THE WAY PEOPLE LIVE
2010, 2008
MISSING MONUMENTS
2007
MONUMENTS FOR THE
GOOD PEOPLE OF
VOLKERTVIERTEL
2006
CONSTITUTIONAL
OVERHAUL BUREAU
2004
CHEESE AND CREAM
2002–2013
SARAJEVO
INTERNATIONAL
2001
MADONNA TO FISH
2001
VEDUTA
1998
FLOWERS
1997
THREE DAYS 1997
VISUALLY BASED
PERCEPTION TRAINING
1995-1997
SPEAKER SYSTEM
1994
EXHIBITIONS &COMMUNITY
THE WAY PEOPLE LIVE –
REPORTS ON
DISENGAGEMENT
2016
OUR DEAR MARICA
REVISITED
2014
ČEZNJA -
BORN LONGING
2012
ORIENTAL RUGS/
FRIENDSHIP
2012
ALL ABOUT TITO
2012-2013
GEWALT.FREI
2011
A HAPPY HOUSE
OF JUSTICE AND LOVE
2009
SRETNO!
2008
SHORT HISTORY
OF MINING
2008
PROOF No. 4:
EVERYONE IS AN ARTIST
2006
AMERIKA
2005
VISMIJN
2004
ON MILK AND PEOPLE
2003
VISIT
2002
EXCHANGING
BIOGRAPHIES
2000
VIDEO & AUDIO WORKS
HISTORY OF A CAKE
1999
LES NOUVELLES DE
ZAGREB/ZAGREB
PROSE AND NEWS
1999/2000
GDANSK DOLNE
MIASTO
2000
ME,JADZIA
2000
HER 25802nd DAY
2000
MLIJEKO/MILK
2000
SARAJEVO
INTERNATIONAL
2001
BOUGHT IN GRAZ
2001
ON MILK AND PEOPLE
2001/02
MLIJEKO/MILCH
2002
ZAGREB MILKMAIDS
ON YOUR
RIGHT-HAND-SIDE
2002/03
CHEESE AND CREAM
2002/03
VIVE LE FROMAGE
OU LAIT CRU!
2003/05
VISMIJN
2004
ADDRESSING THE
AMERICANS
2004/05
AMERIKA(5)
2003/05
AMERIKA
2003/05
NO SUBJECT
(A CONVERSATION
WITH WORKING
PEOPLE)
2004/05
BEWEISS NR. 4,
DOKUMENTATION
2007
SNORING IN THE USA
2008
BILO JEDNOM,
ES WAR EINMAL
2008
EIN GLÜCKLICHES
HEIM DER
GERECHTIGKEIT
UND LIEBE
2009
FAWZIA SOLL
LESEN LERNEN
2009
WALTER KÜNAS,
DER BLINDER
FOTOGRAF
2009
BLUMENHOF
2009
MARIENHAUS
2009-12
THE WAY PEOPLE
LIVE/PERFORMANCE
2010
REHEARSAL -
THE SMITHSONS
2011
KEINE GEWALT,
KEINE MOBBING
2011
ZAPPEN, EIN
GEWÖHNLICHER
SAMSTAGABEND
(22.10.2011)
2011
X-GAMES
KÖLN MÜLHEIM
2011
NASA DRAGA MARICA
2014
THE WAY PEOPLE LIVE –
REPORTS ON STILLSTAND
2016
DOCUMENTARY FILMS
LUME CARA ĂJ ĂM
NJENČIM - IN
POSTPRODUCTION
RELEASE 1-2026
CHEESE AND CREAM
40 MIN
FACTUM, 2013
THE GROUP OF SIX
ARTISTS
90 MIN
HRT, 2002
IVAN LADISLAV
GALETA
47 MIN
HRT, 2000
VLADIMIR DODIG
TROKUT
48 MIN
HRT, 1999
ALEKSANDAR SRNEC
48 MIN
HRT, 1999